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I hope this finds you safe and well.  There has been some more summery weather on the west coast these past few days and I am enjoying starting to see the fruits of my recent labours in the slowly developing "garden".  It's like painting a picture, I've come to realise - putting colours and textures together, to create something pleasing to the eye. Of course the garden "picture" does not stay the same, as the seasons come and go, so the gardener must be continually trimming and tweaking, looking, adjusting and adjusting again. It is a continuous work in progress.

Many of you already know that as well as painting, I love taking photographs. I know lots of folk have been missing visiting their favourite places in Scotland in recent times, so I've been busy updating my website to include a photography page, showing a selection from my portfolio. This links to another website (Photo4me) where you can buy canvases, prints etc. of my work.

There's 10% off just now, on all items - just use the code kindness2020 at checkout. 

• Virtual Exhibition -
• A selection of my photographs
• On the Photography page of my website
• Always there - visit to view whenever you like

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If you're finding it tricky to get hold of greetings cards just now, I've expanded my card collections - there are now 15 different collections, each with 5 different cards.  Hopefully there's something for everyone - shown above are -

• ​Panorama Collection 1
• Flora Collection 1
• Panorama Collection 2

and below -

• Highland Collection
• Linoprint Collection 1
• Letterbox Collection

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As always, thank you so much for your interest in my work, it is greatly appreciated.  I am hopeful that there may be some opportunities to share my work in real life before the summer is over. 

In the meantime, stay safe and well.

all the best

Jennifer

I hope this finds you safe and well and finding ways to get through these strange times.
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Recent work created during lockdown

It took me a while to get back to painting after the lockdown was put in place on 23rd March.  Out for a walk one day, I noticed the remnants of a foxglove - see above, on the left - at the front of my garden (I use the term very loosely, I am gradually taming small parts of it).  I brought it into the studio, laid it flat on the table, and began.  So started a series of these works - mostly remnants of last year's growth, as there were few signs of spring at that point.  More recently, bracken fronds have started to appear, and my daffodils have bloomed, so spring greens have made an appearance in my work.  All the works  - 15 to date - are on large (A2, 40 x 60cm approx) paper - most are life size, some a bit larger.  You can view them all here on my website.

see more flora...

​I don't need to to tell you we are facing difficult times just now.  I hope this finds you and your loved ones well and adapting to whatever circumstances you find yourself in. 

In my last newsletter, I was sharing news of being part of Poolewe Tuesday Market, stocking some of my products in Cabinet at the lovely An Talla Solais Gallery in Ullapool and an exhibition of my paintings at Inverewe Garden.  You can see the paintings I planned to exhibit (and more), in the gallery pages of my website.  More recently, I had provided cards and sketchbooks to the shop at Gairloch Museum. None of these things is happening now, for obvious reasons. 

​I highly recommend doing something creative during these trying times - draw, paint, write, play music. Plant seeds, and look forward to watching them grow. That's what I was doing yesterday.  Or learn a language - I discovered the wonderful App, Duolingo and have been learning a bit of Gaelic, as well as brushing up on my French and German and getting going with Spanish.  It's a great way to learn, very encouraging and good fun.  Or make soup. Making soup is one of my go-to things when it all gets a bit too much.  It feels like a time for recalibration, in so many ways.

Wishing you all the very best - thank you for your interest in my work, it is greatly appreciated.

Jennifer x

 See my Pebbles on the Beach Facebook page for regular posts and updates.

I hope this finds you well and that you have enjoyed the summer - it definitely feels as if we are moving into autumn now.

I am happy to be taking part in North East Open Studios again this year - at the same venue as last year - the Phoenix Centre at Newton Dee in Bieldside, Aberdeen.  There will be nine of us showing a lovely range of work - from furniture to textiles, fused glass to painting, mixed media and printmaking.   We call ourselves Art at the Phoenix for this event.  I am number 302 in the NEOS book.

"Occasional Rain"  - original watercolour
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You are invited to my Solo Exhibition : 4-29 June at the Acorn Gallery in the Acorn Centre in Inverurie. 
 
The exhibition is open during cafe opening hours, so you can enjoy
coffee and cake, or a light lunch during your visit!
 
Open Tuesday - Thursday 10am - 3pm,  Friday & Saturday, 10am - 4pm. 

The Acorn Centre is within Inverurie West Parish Church, on
West High Street, Inverurie,  AB51 3SA
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"Fair, moderate or good".

The main focus of the show is a collection of new "Shipping Forecast" paintings, continuing with the theme I started last year during North East Open Studios.  This is a series of seascapes of various sizes, all with titles based on phrases from the the well known and loved Shipping Forecast, broadcast every day on Radio 4.  There will also be a few paintings of Bennachie on show.  

I hope you enjoy the exhibition! ​

Sometimes it is the things you see every day which inspire you.  A colour or texture catches your eye, and you're hooked.  The itch starts, and you find you have to paint it.  Whatever it might be.  This happened for me a couple of years ago, when I was working with the lovely Vital Veg at Midmar.  Every week I packed beautiful, colourful veg into veg bags for customers.  Some of the veg came home with me. And some of that came with me to the weekly art class I was attending.  

I wasn't aiming for still life. Nor was I trying to make an exact, photographic image.  I was aiming, I think, for a celebration of deliciousness.  I laid the veg (the larger the better, some soil was often present too) on a sheet of white paper on the table I was working at, with a large piece of (usually cartridge) paper beside it.  I had seen that this was how the wonderful Elizabeth Blackadder paints her gorgeous flowers.  I am a great admirer of her work, so off I went...

Another influence fed into this process. A few years ago, I attended a workshop with Sofia Perina-Miller, whose work I also greatly admire.  She paints fabulous striking flowers, as well as many other subjects.  She showed us how to paint directly onto paper, without doing any initial drawing. This was an entirely new experience for me - and I found that I loved the freedom of it!  Instead of feeling constrained by the pencil lines, I was "free" to paint directly, loosely, using vibrant colours,  which resulted in more lively work.  Sofia usually adds meticulous pen and ink details to her work.  I left mine as they were; as I may have mentioned before I have rather limited patience!

There is always a certain amount of fear involved in painting this way.  I had to learn to be brave, to trust that the colours I was choosing and the marks I was making were strong and true and confident.  This was no time for fiddling around with details and tentative marks.  Before I started, I would look carefully at the veg, get a feel for the overall shape and size and proportions, the main colours, the shadows on the paper.  Really look, and get a feel for it.  It helped to stand up, to have everything I needed to hand and to just do it, quickly.  I love this way of working; writing this makes me want to do some more of this kind of work. 

Some of my veg paintings are available as digital downloads from my Etsy shop.
Various items (prints, mugs, phone covers, tote bags etc.) sporting my veg paintings can also be found on Redbubble.
All the paintings can be viewed in my gallery (most originals are available)

Quite often, I find that I do not end up doing what I set out to do.  That doesn't mean that I don't achieve my goal, I just do it a different way.  That's my story and I'm sticking to it.  

It's a bit like going to the shops to buy bread and milk. Yes, just bread and milk, that's all I need. But do I come home with only bread and milk? Of course not. I'll pick up cheese and avocadoes (if they are on offer), maybe a mango (ditto).  And then of course we might be out of oatcakes and pasta and rice.  Better pop some in the trolley.  And plenty of other unhealthy options which I won't mention here, for fear of giving the wrong impression (moi?).

Or, if I go for a walk in the woods, I won't intend to take photos, but something will catch my eye. Some bright green moss, yellow lichen on a rock, feathery lichen hanging from a branch.  So I come home with more than I intended. More images to save and look at again and take pleasure from.  I might even pick something up along the way - an interesting twig, some larch cones or a fern frond. A feather. 

So it was when I went to art class over on south Deeside the other week.  I was planning to paint some landscapes; had printed out photos in my bag to use for inspiration.  As I went to load my art kit into the car, I noticed the dead head of a hydrangea (from my neighbour's garden) lying on our drive.  Of course I picked it up.  It was one of those lacewing ones, with a few lifeless petals clinging on at the edges.  It sat on the passenger seat as I drove to my class.  When I got there, I could see the remnants of rosebay willowherb beside the track where I park each week.  I picked some. I couldn't not pick some.  I had always wanted to paint this transitory plant, with its bright pink flowers which turn to bean-like seed pods and then fluffy floatingness.  Today was the day.  I'd missed the flowers, of course - I'll have to wait a while for those to appear again.  What a joy it was to paint these - of course I did a few sketches of the serendipitous Hydrangea head as well.   

I was "on duty" at Monymusk Arts Centre the other day.  There was quite a lot going on - exhibitions were being changed over, artists came and went with their work.  I managed to fit in some work of my own.  It still doesn't really feel like work.  I sketched what was to hand, much as many people do.  Crayons from the tub provided for visiting small people, a blue pen from my handbag, my reading glasses.  All good practice and good to switch off and focus completely on the task in hand.  

Of course I should have been painting some landscapes (my plan for this summer) and finishing a garden commission which for some reason keeps slipping off my "to do" list.  I recall an artist friend saying she was really struggling with a commission (a portrait) and simply told her client that she was very sorry, but she could not do it after all.  She said that almost immediately, she felt freer and lighter and was able to paint the portrait in a loose, free style that would not come to her while she struggled with the "c" word.  The brain is an amazing thing, but it can also be a bit of a handicap at times.  With artistic endeavours, it seems to me that I am best not to "try too hard".  I have to switch off most of my brain and "just do it".   I've played a little golf in the past and that maxim has served me well - don't try too hard, relax and just do it.  Without caring about the result.  That's the plan for now. I'll keep you posted about how it pans out!

It was time to design some new Christmas cards.  I just needed a little prompting and then I sat at my big kitchen table, got out my paints, brushes, jam jars of water and a random assortment of paper.  I stuck with greens and reds, traditional colours I know.  I was tempted at one point to paint a snowman in a snowstorm, but sanity, or something, prevailed, and I ended up with three designs I was happy with. And still am happy with.  The pictures somehow distilled and became simpler, as I tried out different ideas.  Before I started, I had a trawl on Pinterest for images of holly and hellebores (Christmas roses) and Christmas trees.  I do like Pinterest for sparking off ideas; I like collecting images onto boards, without having to print anything out.  I don't use it a huge amount, but enjoy revisiting my boards every so often, changing the cover photos and adding more images when I find them.  I'm sure I don't make the best use of it, but it works for me.  

The cards have now been printed and are available from Buchanan's Bistro in Banchory and here on my website. 

It's that time of year again, when my thoughts turn to putting together a calendar for next year.  This year seems to have flown by.  My age is creeping up on me, I suppose, and while it feels like it must only be about March-time, it's nearly the end of October and the clocks change tonight.  

I had a sift through the photographs I've taken over the past year (and a few from the tail end of last year) and have been pleasantly surprised by what I have found.  I tend to take a lot of photographs if I'm out and about somewhere - at the beach (any beach), out in the woods for a walk, down at Stonehaven for an afternoon, over on the west coast for a long weekend.  It's easier to take pictures when you're on your own, I find.  It takes more concentration than I used to imagine, to capture images that are worth looking at again later.  And one tends to walk very slowly, looking at things along the way.  Up through the trees, down at the shells in the sand at your feet, over at the rock formations of the cliffs or the rocky shore. The bit of the whole process I love most is the looking through the images afterwards.  It's like opening presents - free ones, ones from myself to me.  Gifts of memories, instants in time.  The slope of a roof, the brilliant colour of flowers or leaves against an azure sky, the patterns made by lichens on old wood.   With the help of friends and followers on Facebook, I've whittled the images down to twelve, for inclusion in next year's calendar.  It was tempting to put two together, one of abstract images and one of purely flora, but I managed to resist.  Time to get on and finalise the order - I'll let you know when they arrive!  There is already a watercolour paintings calendar available for 2015, on the Store page.