I hope this finds you well. It's hard to believe that autumn is upon us already, this year has flown past. We had five glorious sunny days recently, which we all agreed must be our summer! The weather has been particularly poor this year. That has not deterred the visitors - the cafe has been busy with travellers from all over the world, including France, Germany, the Netherlands, as well as Canada, the United States, Australia and New Zealand. 

Both the cafe and gallery in Poolewe have gone from strength to strength, with wonderful feedback from customers.

We are currently open Friday - Monday 10am - 4pm and plan to do the same through the winter.
We will be closed for staff holidays from 5th - 21st November inclusive, reopening on Friday 22 November. 

​On the few fine days we've had, I've taken the chance to head out with my sketchbook. The trick is to find somewhere to perch, usually on a rock, where I can lay my sketchbook on my knees and my tools out beside me.  I mostly use charcoal for an initial drawing now, as I find a pencil too restricting. Sometimes I use a graphite stick, but I like the rawness and immediacy of charcoal. The sketchbooks are from Pink Pig, the examples shown were done in large square ones (11 x 11 inches).  As you may already know, I sell customised sketchbooks, which I have linoprinted with my own designs.

A wee travel set of watercolours provides all the colours I need. But I use a big brush, not the tiny travel one, as I like to use lots of water and work very quickly.  This is mainly for practical reasons - the light can change very fast, or there is a shower of rain approaching, or the midges start to bite!  Nothing can beat sketching out in the fresh air, with the sounds and smells and sights of your surroundings all being absorbed into your work.

​Earlier this year, I finally got round to republishing my two books of short stories.  They both contain ten short and very short stories and are available from my website shop and also from Bridge Cottage Art Cafe. 

​As well as the short story books, I've put together my first ever collection of poems in a wee book. Again, the book is available to purchase from my website shop and from Bridge Cottage Art Cafe in Poolewe. 

​It's that time of year again! This year's designs (all 8 of them) are just in from the printer. I used natural materials to lay out the images, then took photos and did a little editing to add in the wee extras!  They are now available to purchase from my website shop and directly from Bridge Cottage Art Cafe. 

​2025 calendars are now available - as ever, they are slimline ones, with each image printed on the back for use as a postcard.  The images are all from artwork produced last winter, during the Art Portfolio course at Bridge House Art in Ullapool.  Available to purchase from my website shop, Bridge Cottage Art Cafe and The Button Bothy at Poolewe Village Hall.

​Thank you for your continued interest in my work, it is greatly appreciated.

I am heading off to Harris for a week's holiday in a couple of days - really looking forward to a change of scene! I will be dealing with any orders after I return on 9th October.

all the best

Jennifer

​​I hope this finds you well and enjoying some more spring-like weather. It was warm here for a while and all the leaves started appearing on the trees, at last. That lovely fresh, light green that only lasts a short while. It has turned chilly again, so work in the garden is on hold.

I signed up to NaPoWriMo (National Poetry Writing Month) this year – actually to something called Escapril, organised by a lovely poet in Aberdeen. The aim was to write a poem, based on a provided prompt, every day all through April. Only two days to go and I’m happy to say I’ve produced something every day so far!  I’m one of those people who works better when given ‘homework’, so I’ve enjoyed the challenge. It also reminds me just how much I Iove playing with words. Here’s my effort from Day 4. The prompt was ‘attention’.
 
PAYING ATTENTION
there are days
when every blade of grass
every stalk and stem
every lichen smothered rock
demands, commands
your attention
when every raindrop
that hasn’t reached the ground
is found in the leafy crevice
of a lupin
there are days
when from nowhere
sudden primroses appear
daffodils dance in drifts
of yellowness
when buds burst into leaf
a sheaf of green
where all was grey
when you step aside,
avoid the furry caterpillar
on the path

​The local markets are now in full swing and I’m enjoying being back at them. It’s good to see familiar faces and to catch up. And having conversations about creativity is always a joy!  I’m now stocking some larger sizes of sketchbooks (I’ve got my eye on them for my upcoming holiday on Lewis and Harris) and I enjoy hearing what people plan to do with them.  A couple of new linoprint designs have appeared recently – a small puffin and a larger heron. 

​I’m happy to have a couple of small pieces of work in the newly opened spring exhibition at Loch Torridon Community Centre gallery.  ‘Seaweed 1’ and ‘Seaweed 2’ are gelli prints. It’s a medium I’ve not used very much, but which is great fun!  A recent conversation with someone at Poolewe market reminded me of it. That’s how it goes.
 
The Carron Pottery gallery now has a few of my artworks on display. They’re also now fully restocked with my linoprinted sketchbooks and a selection of my small originals. 
 
Later in the year, on Saturday 1st July, I’ll be at the Gairloch Gathering, in the field beside Sands campsite. Fingers crossed for a fine day!  It was a grand day out last year. 

​Thanks to a chance conversation at Gairloch Thursday market, a selection of my products is now available to purchase from a new stockist.  Gairloch Marine Wildlife Centre and Cruises, based on Pier Road at the harbour in Gairloch has my marine themed mugs, coasters, keyrings and cards.  

​As always, many thanks for your continued interest in my work - it is greatly appreciated.

all the best

Jennifer

I find the alphabet a helpful structure in my writing, so when I came to write a list of what I feel grateful for over the past twelve months, I turned to it again to help me.
​It didn't let me down.  
 
A is for Art and creativity – admittedly, this has come in waves, but at times has been very helpful in keeping me moving forward.

B is for Black Isle Correspondent, daily videos from; a little bit of madness, kindness and real life every day, especially during the first lockdown. Grateful thanks to Anna Massie.

C is for Camomile tea. And cake – the making and partaking of it, the sharing of it with friends, when possible.

D is for Dog.  My dog for making me smile every day, and often laugh too

E is for Empty beaches for walking on, I'm so lucky to live where I do.

F is for Friends and family, for staying in touch

G is for Growing things and gardening.

P is for Playing music on my mandolin. Also Photography - taking photos feels like a form of meditation to me. 

Q is for Quiz shows on TV, especially Only Connect and Mastermind. Monday evenings’ entertainment.

R is for Refreshing my knowledge and love of languages and learning a new one or two, on Duolingo.  Also, reading.  Novels, poetry, familiar and new.

S is for Slowing down, social media, staying in touch. Also Soup, the making and supping of it.

T is for Tunes – playing old ones and writing new ones

U is for Unforgotten – a cold case series on TV; totally hooked. Also old murder mysteries, the familiarity of them, the satisfying resolution.

V is for Very funny radio programmes, especially some of those on at 6.30pm on Radio 4, providing lots of laughter while I make my tea.​

W is for Walking. Every day. Walking and the peace of it. Sometimes walking with a friend.  Also for Writing; the joy of putting words together, in a poem, a story, a post.

X is for Acceptance – I will cheat a little here perhaps – taking the X to mean being not being allowed to do things. Accepting the situation, the imposed restrictions, the fact that I could not travel anywhere and no-one could come here – all that. Accepting it all made it a whole lot easier to make the most of what I could still do – many of these things are listed here.  

Y is for Yes – saying yes to new things, to taking part in online workshops and courses and exhibitions.
​
Z is for Zoom, which I hadn't heard of this time last year, but now value highly, for staying in touch and keeping things going. ​

There are days
when your footsteps in the sand
barely break the surface
when the grains are hard packed -
stacked by the receding tide
the sea seeped away
drained into the bay
those are the days
when you make no impression
barely a dent is rent
in the perfect surface
only the occasional crack
of a shell as your track
shifts to the high tide line
 
there are days
when the sand shifts -
drifts beneath your feet
each step an effort
in the soft brown sugar
of the shore
and others have been here
before, churning, turning
stirring its softness,
leaving it spoiled
soiled until the
tide turns
 
there are days
when the top layer
of sand looks firm
but your boots sink
several inches
into its depths
you plod on,
across the bank
leave holes where
you sank
but rose again
 
there are days
when the sea weeps  -
seeps its way
back up the shore
more and more
till what seems firm
is liquid
and when stepping forward
you realise
a little late
the fate awaiting -
the fluid form
lying low
ready to pull you beneath
its innocent surface
with an insistent grasping
 
there are days
when the wind howls
across the bay
your boots
sandblasted by the
loose top layer -
the poor dog’s eyes
filled with grit -
those are
no days to sit
and stare
out to sea

The day before yesterday
I met an old friend on the street
we embraced, kissed on both cheeks,
held each other longer than was
strictly necessary
 
Yesterday, I went to the supermarket
stocked up on what was required
respired, relieved, thankful to behold
full shelves and smiling people
standing close and chatting
not steering clear
two trolley lengths away
at all times
 
Yesterday, I took the dog to the park
threw his ball, watched the children
on the swings and roundabout
playing tig and tag, holding hands
watched a mother wipe a snotty toddler nose -
I didn’t flinch or move away
 
Today I drove out, out into the countryside
as far as I felt like going
and took the dog for a second walk
in the woods, because I could
 
Tomorrow, I shall book a two night stay,
for three months’ hence
in a favourite place
a treat, a retreat, a getaway
a stay away - a place where
I may well encounter strangers
in the bar - make new friends, perhaps,
sit close together, conversing
 
The day after tomorrow, I’m going to the cinema
with a friend. 
We’ll eat out beforehand,
nowhere fancy, just out – we’ll
raise a glass to friendship
 
Tomorrow, I’ll make up the beds
in the spare room, for my friends
coming to visit
 
The day after that,
I won’t feel annoyed when the
football comes on the telly
instead,
I’ll be glad for all the fans
out there, enjoying their Saturday
 
Next week, I’ll play music with my friends
at one of their houses
enjoy a glass of wine,
company, convivial conversation
and tunes
 
The week after that, I’ll join the writers’ monthly
gathering
enjoy a glass of wine,
company, convivial conversation
and stories
 
Today, I shook hands with
someone new I met on the beach.
 
Today, I did not feel afraid.


​
This is a poem I wrote for last month's writers' group meeting; the theme was 2021.  

Photo credit : Ailsa Watson

I wrote this free-form poem (with minor alterations) at the start of this year. It was a contribution to the Sustaining Life as a Creative Programme, run by the wonderful Creative Learning team in Aberdeen, which I was very fortunate to take part in. 
​The brief was to describe our creative journey. 

I am
 
I am the small pigtailed girl
Perched on the window seat, with
sugar paper and poster paints,
brush and water pot,
newspaper protecting
the wooden trolley
 
I am that girl in shorts and tee-shirt
on the west coast shore
searching for crabs every summer
under stones,
exploring rockpools
before rockpooling was a thing
collecting shells and pebbles,
sticks and stones
 
I am the girl playing in the
corrugated iron shed behind
my granny’s house
wildflowers in a jam jar on the rickety table -
the hedgehog visiting -
imagination my best friend
 
I’m the schoolgirl sailing on the loch
with my first love
 
I'm the teenager climbing hills with friends
gazing over Scotland  -
hills and heather
burns and boulders,
big skies
 
I am the student, drawing in my lab book,
Learning the nature of science
I am the scientist, fishing for facts about
Trout and mackerel and herring,
 
I am the translator, editor, creator,
putter-together of research volumes,
organiser of conferences and treasurer of troves
 
I am the mum with no clue -
doing, not making,
(except soup and cakes and occasionally marmalade)
Making do,
with a head crammed full, jammed full
of domesticity,
a scarcity of time to call mine
 
I am the thirty-something friend,
persuaded to trade
My violin for a fiddle,
To play tunes with people
Who would become pals
To add another dimension
to being
 
I am the mandolin-playing ceilidh band member,
calling out dance steps
- Oh, the feeling of power!
​ 
I am the teacher of students,
The organiser of labs and lectures,
Marker of essays,
And later,
Developer of screen-based things
With no song to sing
Or dance to bring
 
I am the escapee,
Fleeing to evening classes -
Some shaky pots, a few pale paintings,
Tiny steps
 
My sketchbook brought along
On family holidays
For rare moments of
aloneness
 
I am the e-learning adviser,
Brain addled by screens,
Quitting the squeaky lino floors
Before it was too late
 
I am the pupil once more, online
And for real,
(because I respond well to being
given homework)
 
I am the walker,
Walking with purpose -
Two Moonwalks
In three years. 
And Ben Nevis
No hesitation –
meditation.
 
I am the delivery driver,
Dropping off veg
Noticing things.
Gathering ideas
 
I am the spinner of stories
Weaver of yarns
 
I am the open studios partaker
Opening the door to my shed,
Pretending it is a studio,
letting people in to my life
To ask me questions
Which I find hard to answer –
When, What, Why, How?
It seems that some
Wish they had my life, whatever they
May think that is – living the dream –
An endless stream of ideas, most of which
Get washed away in the shower -
Down the drain, never to be
Seen again.
 
I am the artist, maker,
Creator of things
Which bring joy
 
I am the West coast
Inhabitant -
Still walking the tideline
In search of shells and pebbles,
Bleached bones of wood
Filling my pockets
Again and again
Still looking out to sea
And finding
Something there
 

I started writing this poem seven years ago. Today I finished it. This was prompted by a conversation last night about "mental load" and being directed to a cartoon illustrating this concept.  It is an interesting concept and I realised its close connection with my thoughts while writing this poem.  The pie chart above was constructed in 1999; that was not just about "mental load", but "physical load" as well.  I am half-hoping that the legend is illegible!  
NB: The poem was written at a time when we had a dog, a guinea pig and probably a budgie as well.  

Obstacles

This is the path
That leads to the shed
That Jennifer wants to write in.
 
This is the poo
That lies on the lawn
That blocks the path
That leads to the shed
That Jennifer wants to write in
 
This is the guinea pig
Nice and warm
Out in his hutch,
ignoring the storm
that needed fed
and straw for his bed
on the path to the shed
that Jennifer wants to write in
 
these are the garments
washed and wet
that need some drying
and ironing yet
 
here is the post
on the mat
needing opened
fancy that!
 
There is the telephone
Waiting to ring
Daring to call
To see if she’s in
 
Here are the dishes
In the sink
Here is the dog
Who needs a drink
 
Here is the clock
Ticking away
Measuring time
As it slips away
 
There is the rain
Falling out of the sky
Rescue the washing
-It’s nearly dry!
 
These were the obstacles
All in her head
Things to be done
And some to be said
 
Now she sees clearly
What she must do
-leave all the small stuff
And find a way through
To go on the path
That leads to the shed
That Jennifer's going to write in.

​Blackbird's warning call
Culvert water plays a tune
Plane passing over

I have been listening to Woman's Hour on Radio 4 again this morning, as I do most mornings.  The discussion was about choosing to have children versus choosing to remain childless.  I was reminded of a piece which I wrote a while ago.  Coincidentally, my thoughts have been on babies and children for the past few days, as our younger child turned twenty yesterday. Finally, the teenage years are over.  A new chapter is beginning. Here is the piece.

I Wish them Luck

the young married couple next door
have decided to have a baby

good for them
I wish them luck
No really, I do

But I also wish someone would tell them,
and I know that no-one will
and even if they did, the poor souls would not listen
to a word of it,
that they are not just having a baby –
they will be having

a tiny infant
who cries in the night
and demands their attention -
their attention
no-one else is going to
attend to its needs
they will have to
and they alone
or together
if they choose

a teething, gurning
one year old
who cries in the night
and demands to be soothed
not just once,
but many times

a defiant toddler
who says No before he learns to say
Yes, or please,
who lies on his back on the floor
and kicks his feet and screams 
very loudly when he does not
get his own way, and produces
large amounts of tears, snot
and poo, generally into nappies
and eventually, after you have
worked out some sort of system
or read a very clever book, but
probably mostly just listened to your own
mum, into the toilet.

a small child who socialises with
other small children and learns things
from them, not just from you.
Words like bum and fart and other
useful terms for bodily functions

a small child who has to go to school
but may not understand why this is so
who may go there the first day, come home
and say – so, I’ve been there, where do I go tomorrow?

a small child who asks interminable questions,
usually in the car at roundabouts or hazardous crossings
or while you are trying to remember who you are,
where you work and what you should have with you
in order to do that work.  A functioning brain is often helpful,
but scarily difficult to retain.

a slightly larger child who likes to have friends round to play
which necessitates conversing with other parents,
which often leads to comparisons which are nearly
always, no in fact are always distinctly unhelpful.
Especially if their smart little Alec can read before
he enters primary 1

So, the slightly larger child sounds a bit easier – yes 
and no – they still go to bed largely when you say so
you know where they are all the time , as you have a calendar
strapped to your person at all times so that you don’t forget to
collect them from swimming/judo/karate/piano/French lessons,
but they have by now decided what they do and don’t like to eat.
So you eat what they eat.  Do you like being an eight year old again?
No, I didn’t think so.  Best to feed then what you have, if you possibly can.
Excellent.

The even larger child is lurching towards being a teenager.
A word that did not exist in recent times.
well, when I was one, I wasn’t.  It wasn’t.  They weren’t.  There weren’t any.
Well, there were, but they didn’t know that they were.  If you see what I mean.
Maybe you still are one.  And have just had a baby.  How scary is that?

So, the teenager emerges from the cocoon of puberty, only they don’t hide
away much.  And they’re quite noisy.  Play loud music.  Assert their rights.
Without taking any responsibility.  Treat parents like slaves. Only worse.
But then that’s probably our fault.

And then, eventually, this tiny infant, baby, small child, bigger child, big child, teenager, becomes a …

human being

so, not a baby, then?
no, a lot, lot more than that.

be careful what you wish for.